Hugh Prather wrote Notes to Myself as a journal in the early 1970s; it was a surprise bestseller. Norris Church Mailer was a fashion model who married Norman Mailer when he was more than twice her age. While insisting she was no intellectual, Ms. Mailer created fine art, theater and prose that showed intelligence and spirit.

Prather came from privilege and discovered his literary and artistic talent through manual labor; Ms. Mailer climbed out of childhood poverty as a beauty-pageant contestant and became the glue in the lives of the much-married writer, her two sons and seven stepchildren.

Both artists used inner strengths to empower countless others. Prather was the first contemporary journal writer I read, and his gentle reflections helped me make the feminism of my twenties part of my heart, not just my rhetoric. Ms. Mailer I came to admire in middle age, for her ability to be both helpmeet and writer–in the shade of Norman Mailer’s massive ego and talent, yet.

The notion that writers should “empower” us is a relatively new requirement. Literature and memoir were not always evaluated for this ability. There’s a certain flimsiness to the idea, since it bases the value of a piece of writing on how it makes us feel, period. A key manner in which new books are publicly valued relies on tabulating the number of people who buy into the hype of impending empowerment, then buy the book.

There are, though, other measures of a book’s power over us. The test of time, for one. The books that stay shelved in one’s inner library do matter, often for reasons beyond craft or depth. And the “back story” of a book has power too. For all the celebrity and success around her, Ms. Mailer rarely had a real Room of Her Own. She was always a writer with a hyphen: wife-and-writer, mother-and-writer. She too was someone for this feminist to learn from, and admire.

The obit for Cullum in The New York Times by William Grimes is the rare one for a famous person that lists no sins or weaknesses alongside the accomplishments.

Cullum started cartooning later in life, and quickly developed a style of clever, deadpan humor conveyed in deceptively simple line drawings, often featuring animals. He earned his living previously as a pilot, starting out as a military flier. His quote about his Vietnam War service is a cartoon without a drawing:

“In 1966 he was sent to Vietnam, where he flew 200 missions, most in support of ground-troop operations, but at one point he flew secret bombing runs over the Ho Chi Minh Trail in Laos. ‘Who these were secret from I’m still not sure,” Mr. Cullum told Holy Cross magazine in 2006. “The North Vietnamese certainly knew it wasn’t the Swiss bombing them.’ ”

Click here for a slideshow of his work.

In a gesture as perfect as it was unintentional, the news of Pekar’s death was posted on the Los Angeles Times site, right under a handy pull-down menu labeled “Foreclosures.”  Harvey would have approved.

Harvey Pekar ("pee-kar") would not be surprised that people are posting his stuff without his permission.

When your time is up, and you move on to whatever comes after this life…who will cancel your Facebook page?

Fortunately, the folks at Legacy Locker are on the job. This company offers a way for your designated beneficiary (and I’m using that word loosely) to access all your online services, pages and auto-payments…in order to protect or remove them.

I have mixed feelings.

On one hand, wouldn’t it be nice to know that Type Like The Wind would live on forever, its name renewed year after year? But, on the other hand, do my heirs really need to go through those 9,678 archived Gmail messages? It seems like a lot to ask.

New York (AP) – Subs Lede, the veteran overseer of Associated Press wire-service jargon, died last night in New York City after plunging from an office building at 450 West 33rd St.  He was 90.

A statement released to media outlets this morning by the New York City Police Department’s Tradition Protective Unit (TPU) said that the fall appears to have been the result of a deliberate push by an editor or group of editors working in the building.  No suspects have been named, but one source close to the investigation said that TPU is “looking for a gang of youthful offenders.”

Mr. Lede was well known for his years in the front lines, where he fought alongside his stalwart partner, Recasts Hed, who at this writing is also near death from an accident last week. Police will not comment on whether the incidents are related.

Mr. Lede took countless newcomers under his wings in the field and the newsroom, training such crucial figures as Previous Cycle and the controversial Note Contents.

In 1978, he shared the Pulitzer Prize for Breaking News with colleagues Fixes Typos and Will B. Led. The trio covered the tragic collision between a Misplaced Simile and a Clumsy Metaphor in airspace over the city. Following the crash, commas and semicolons rained down for a 48-hour period. The prize-winning stories resulted in parentheses being added to unclear phrases throughout the United States.

Mr. Lede was preceded in death by his wife of 50 years, New Throughout; a sister, Adds Graphic-Slug; and a nephew, Adds Byline.

At. Mr. Lede’s request, no funeral service will be held. Donations may be made to Updates with Color.

(Staff report moved on wire 20:38 2 July 2010. This obituary written by Kimberly Marlowe Hartnett was sent by the service late on July 2, 2010.)

Byrd himself exemplified that change, moving from membership in the Ku Klux Klan as a young West Virginian to a supporter of civil rights measures as a seasoned statesman.

The comment no doubt gave a lot of other people pause as it did me. I don’t know about the rest of you, but I would have thought longer and deeper about the thesis had the footage of Byrd not been followed by a live studio shot about the oil spill.  On the set was one of the new news-hotties stretching her long legs from a tall chair facing the camera, chatting with Phillipe Cousteau Jr, grandson of the revered Jacques Cousteau.

Yes, Senator Byrd lived a long life. Long enough to die on a day when “news” comes from a nitwit in snakeskin high heels schmoozing a low-wattage, high-ancestry bullshitter about one of the worst environmental disasters on record.

“On election night 2000, when Byrd, then 83, was reelected with his largest margin ever — a 78% majority, carrying all 55 counties and all but seven of the state’s 1,970 precincts — he remarked: ‘West Virginia has always had four friends: God Almighty, Sears Roebuck, Carter’s Little Liver Pills, and Robert C. Byrd.’ (He later dropped Sears from the list, complaining about inadequate service on a heater.)”

“Mr. Haney fought and won a 13-year legal battle against a man who said he had given him the idea for Trivial Pursuit when Mr. Haney picked him up hitchhiking. He won another suit against an author who claimed that Mr. Haney had taken questions from his books, something Mr. Haney readily acknowledged.

The judge’s reasoning: “You can’t steal trivia.”

According to The New York Times, Doris Eaton Travis died at age 106, the last of the famed and comely (36-26-38) performers hired in the early 1900s for the famous Broadway troupe.

She was part of a famous stage family, the Seven Little Eatons, and began dancing in public at age 5. The obit in the NYT by Douglas Martin is a minor masterpiece of factual yet gentlemanly reporting:

“Doris began as a chorus girl and understudy to the show’s star. In 1919, she wore a red costume and played the paprika part in the salad dance. ”

“While appearing in the show she fell in love with the songwriter Nacio Herb Brown…Mrs. Travis’s relationship with Mr. Brown lasted intermittently for eight years but never led to marriage. Mr. Brown himself married five other women all told, divorcing all of them.”

“..Arthur Murray hired her to teach ballroom dancing in Manhattan. She taught 70 hours a week until moving to Michigan to start the new franchise.One student was …Paul Travis, who made a fortune by inventing a door jamb for cars. She and Mr. Travis married and later moved to Norman, Okla., where they bred quarter horses.”

And, my favorite, the ending to the story of the last Ziegfeld Girl:

“A little more than two weeks ago Mrs. Travis returned to Broadway to appear again at the annual Easter Bonnet Competition held by Broadway Cares/Equity Fights AIDS, this time at the Minskoff Theater. She did a few kicks, apologizing that she no longer performed cartwheels.”

And, Food writer Mark Bittman has launched his new site. Check it out, here.